WORKFLOWS / FROM PREPARATION TO PROGRAMME
EVERY PART
OF THE SHOW.
Choose a task you know, build a small rehearsal and learn what the current preview can do. This website describes the workflow; it does not operate production outputs.
SHOWAVE · Powered by Afro Unity Group
Live events and the stage.
Use Live for layers, clips and cues. Map shapes outputs, Grid Tool supports LED planning, and Chaser sequences slices and pixel maps. Timeline organizes timecoded automation. GSL5 Lighting Library has its own fixtures, patch, programmer, cues and output controls; physical output is explicitly armed inside the lighting application.
Available native integrations vary by build and platform. Use appropriate fixture personalities and test real equipment before a production. Explore each workspace ↗
Conferences and presentations.
Start with one original image, video, PDF or supported modern PowerPoint deck. Desktop presentation playback does not require Microsoft Office. Prepare a slide in Presenter Preview, Take it to the pinned feed and review the composed Show picture.
Legacy PowerPoint formats, macros and some advanced presentation features are unsupported. Compare your actual deck during rehearsal. Build your first show ↗
Streamers, YouTubers and remote audiences.
In Broadcast, add sources to a blank scene, arrange the picture and apply changes to Preview. Cut/Fade commits that prepared scene to Programme. Programme does not automatically start an online broadcast; streaming destinations and accounts have their own controls and requirements.
Camera, microphone and screen capture depend on platform permissions and device capabilities. The Android review APK has no desktop capture or broadcasting services. Follow the Broadcast guide ↗
DJs and media preparation.
Live can organize familiar clips for a visual rehearsal. Encode provides a media-preparation workspace for previewing clips and exploring trimming, conversion settings and queue controls. Its current session-only build does not save or export converted audio/video files; native encoding adapters remain needed for formats such as DXV, Motion JPEG and ProRes.