LEARN A TECHNIQUE.
MAKE IT YOUR OWN.

1. Choose an original image, video or audio file you know well.
2. Load it into Live and inspect the prepared media.
3. Record what you expect to see or hear before triggering the clip.

Desktop preview accepts original-file media. Android is an offline interface and player review with different limits.

1. Prepare three clips or layers for a short opening, main moment and closing.
2. Write down their intended order and check each cue separately.
3. Run the sequence and note the cue that needs attention.

Chaser handles slice sequencing; Timeline concerns timecoded automation. Check the current workspace and actual integration rather than assuming every output is ready.

1. Review a supported modern presentation in Presenter Preview.
2. Prepare a slide, then use Take to commit the pinned feed.
3. Use Send to Show intentionally and record the observed result.

Modern PowerPoint support does not cover legacy PPT/PPS or macros. Rehearse advanced slide features on the actual desktop preview.

1. Create New → Blank and add an available source.
2. Move, resize or rotate its picture; compare Fit, Fill and Stretch.
3. Use Input Selection for cropping and Output Transformation for placement.

Camera, screen and other source availability depends on the platform and permissions. Start with a local media source if a device is unavailable.

1. Prepare two simple scenes and apply the next scene to Preview.
2. Check the prepared picture while Programme retains the last taken scene.
3. Use Cut or Fade deliberately, then repeat in the reverse order.

Editing or selecting a scene does not take it automatically. Treat the Take as its own operator action.

1. Check the mixer and each intended input at a sensible rehearsal level.
2. Compare a Solo, Split, PiP or Grid arrangement in Preview.
3. Record which actual output or destination you tested and what still needs a check.

This Academy page does not connect to a camera, mixer or streaming account. Test those inside the installed preview and your production setup.

1. List the stage surfaces and their intended content.
2. Record the dimensions, resolution and the planned input-to-output path.
3. Identify the surface you can safely test first.

Map is the output-mapping workspace. Begin with a small known surface and check the actual display setup.

1. Use Grid Tool to describe a small LED layout.
2. Compare the layout with the real panel order and signal plan.
3. Save a written checklist of mismatches to resolve before a show.

Grid Tool covers LED planning and signal mapping. Confirm exact panel specifications and hardware behavior in your own setup.

1. Prepare a simple slice or pixel-map arrangement for Chaser.
2. Review a short sequence and compare it with your intended timing.
3. Record where Live content, Chaser sequencing and Timeline automation meet.

Use documented current controls and rehearse timing locally. Do not assume unfinished native integrations are production-ready.

1. Write down the fixture model, mode and intended DMX footprint.
2. Find the personality that matches the actual unit and mode.
3. Review the patch for address conflicts before preparing cues.

A vendor-neutral starter personality is not a substitute for a verified fixture profile. This website does not send DMX.

1. Review the programmer and the patched fixture parameters.
2. Prepare a simple cue using documented current controls.
3. Write down the intended playback order and how to stop or reset the rehearsal.

Confirm control behavior in the linked Lighting Library and your physical rig. Keep the rehearsal supervised by the responsible operator.

1. List the cues that should align with Live visuals or a presentation.
2. Record timing, responsible operator and the intended output check.
3. Document the actual rehearsal result and the remaining work.

Preparing a timing plan does not imply a finished cross-application or hardware integration. Confirm each real connection separately.